1. Write a creative brief before you prompt
Decide genre, tempo range, mood, instrumentation, vocal type, song length and one or two reference tracks. A brief gives you something to judge generations against; a bare prompt does not.
A workable brief fits in five lines. Example from one of our own sessions: mid-tempo alternative R&B, 92 BPM, night-drive mood, electric piano and sub bass, female lead with stacked harmonies, three-minute radio structure. Every generation then gets judged against that, instead of against whatever the tool happened to produce.
2. Generate options and shortlist ruthlessly
Produce many candidates from the same brief and keep only the sections that genuinely work — often a chorus from one take and a verse groove from another. Expect to discard most of what you generate.
3. Decide how vocals happen
Either generate vocals from your own lyrics, or record a real vocal and build the instrumental around it at a fixed key and tempo. Do not recreate an identifiable artist's voice without documented consent.
4. Arrange the song in a DAW
Assemble intro, verse, pre-chorus, chorus, bridge and outro on a grid, cutting at bar boundaries and crossfading joins. Arrangement is where a set of generations becomes a song.
Finding the tempo of an AI-generated track
Most tools report tempo; when they do not, drop the audio into a DAW and tap the tempo against the kick, or use its beat-detection function, then nudge until the grid stays locked across the whole track. Get this right before you cut — every later edit depends on it.
5. Extend or shorten to the right length
Use the tool's extend function where available, or generate compatible sections in the same key and tempo and sequence them. Always trim to the end of a musical phrase.
Making alternate versions of the same song
Once a master exists, radio edits, instrumentals, sped-up or slowed versions, clean versions and short-form cuts are arrangement work, not new generations. Keep the stems: alternate versions are how one record supplies a whole campaign of assets.
6. Mix, then master
Balance levels, control low-end buildup, de-ess vocals and add space with reverb or delay. Then master — manually or with AI mastering — and compare loudness and tone against commercial references in your genre.
7. Remove artifacts before you release
Listen on headphones and a speaker for smeared consonants, digital clicks, phasing and clipping. Re-generate the offending section when you can; use spectral repair only for isolated problems.
How to tell your track is finished
Four checks before you call it done: it holds up on a phone speaker, the vocal is intelligible without the lyric sheet, no section repeats past the point of interest, and the loudness sits in the same range as commercial references in your genre. If a listener can name one memorable moment after a single play, the arrangement is working.
Distribution, metadata and copyright questions come next. Start with the AI music FAQ for direct answers on ownership, platform rules and monetization conditions.
